nicholas_martin_dunn_reel.nk ACES 24fps
VFX Compositing · Offline Edit · Supervision
London, UK · 51.50° N

Nicholas
Martin Dunn

Senior Nuke Compositor / Offline Editor / On-Set VFX Supervisor
Freelance · 10+ years · remote-ready rig or on location
Viewer1 input: reel_2025 RGBA gain 1.0gamma 1.0
VFX Compositing Reel · 2025
> 1001 ---- paused · 24fps · loading · RGBA
Node Graphnicholas_martin_dunn_reel.nkhover a Read node ▸ properties
Commercials
Film
Read1
commercial1.mp4
Read2
commercials2.mp4
Read3
film1.mp4
Read4
film2.mp4
TimeOffset1
TimeOffset2
TimeOffset3
Grade1
primary
Grade2
primary
Grade3
filmic
Merge1 (over)
over
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Merge4 (over)
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Merge2 (over)
comp_out
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Viewer1
reel_2025

Properties · Read1

projectAmnesty — #TakeAction
roleCompositing · Cleanup
format2048×1152 · 2K
year2017
frames1001–1240
Cleanup, beauty work and invisible integration across commercial campaigns.
Viewer1 · A/B WipeA = comp · B = platedrag ↔ or arrow keys
B · plate A · final comp
Properties · Artistnode: the_artist

Freelance compositor, editor and supervisor — I bridge camera, VFX and edit so shots arrive finished, not just started.

Ten-plus years as a Senior Nuke artist, with on-set supervision and close liaison between departments. I run a serious rig for remote work or cut on your location — Premiere by preference, AVID for TV. On a deadline I bring trusted associate editors in under my supervision so nothing slips. The purity of a 30-second commercial, the pull of a short film — same goal either way: make it look effortless on screen.

Settings
born1982 · London
basedLondon, UK
experience10+ years
availabilityremote / on-set
Awards
Global Entertainment AwardsBest Games Trailer
BerlinaleCrystal Bear
Channels · ClientsRGBA + named
Warner Bros.NetflixDisneyChannel 4Mercedes x G42Red BullCold PlaySamsung
Write1 · Renderoutput: contactstatus: ready
Write1 ▸ render the project

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frame 1001/1240 24 fps RGBA float 2048×1152 zoom 100% colour: ACES 1.3 mem 1.2 GB ● ready